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	<title>Rawkblog &#187; 2010</title>
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	<link>http://www.rawkblog.net</link>
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		<title>Video: The School &#8211; &#8216;I Love Everything&#8217;</title>
		<link>http://www.rawkblog.net/2011/07/video-the-school-i-love-everything/</link>
		<comments>http://www.rawkblog.net/2011/07/video-the-school-i-love-everything/#comments</comments>
		<pubDate>Tue, 26 Jul 2011 18:00:52 +0000</pubDate>
		<dc:creator>David Greenwald</dc:creator>
				<category><![CDATA[2010]]></category>
		<category><![CDATA[Videos]]></category>
		<category><![CDATA[The School]]></category>

		<guid isPermaLink="false">http://www.rawkblog.net/?p=9562</guid>
		<description><![CDATA[In case you need more adorable in your life (you do!), here&#8217;s the latest from twee softies The School&#8217;s still-wonderful 2010 debut, Loveless Unbeliever. Pajamas, shopping, going to the park, girl-group hooks: what more do you want? The I Love Everything digital single is out now on Elefant.]]></description>
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<p>In case you need more adorable in your life (you do!), here&#8217;s the latest from twee softies The School&#8217;s still-wonderful 2010 debut, <em>Loveless Unbeliever</em>. Pajamas, shopping, going to the park, girl-group hooks: what more do you want? The<em> I Love Everything</em> digital single is out now on <a href="http://www.elefant.com/">Elefant</a>. </p>
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		<title>Classics: Ned Collette &#8211; &#8216;Come On Let&#8217;s Go&#8217; (Broadcast cover)</title>
		<link>http://www.rawkblog.net/2011/07/classics-ned-collette-come-on-lets-go-broadcast-cover/</link>
		<comments>http://www.rawkblog.net/2011/07/classics-ned-collette-come-on-lets-go-broadcast-cover/#comments</comments>
		<pubDate>Fri, 15 Jul 2011 15:00:19 +0000</pubDate>
		<dc:creator>David Greenwald</dc:creator>
				<category><![CDATA[2010]]></category>
		<category><![CDATA[Ned Collette]]></category>

		<guid isPermaLink="false">http://www.rawkblog.net/?p=9347</guid>
		<description><![CDATA[It occurs to me that I&#8217;ve never posted this, a wonderful Ned Collette cover of the very best Broadcast song. It was recorded for a Cokemachineglow podcast and possibly topped within the Ned catalog only by absolute heartbreaker &#8220;The Laughter Across the Street.&#8221; Ned Collette and Wirewalker &#8211; &#8220;Come On Let&#8217;s Go&#8221;: mp3 (Buy Collette [...]]]></description>
			<content:encoded><![CDATA[<p><img style="float: left; margin: 0 10px 5px 0;" src="http://www.rawkblog.net/wp-content/uploads/2009/09/ned-collette-main.jpg" alt="" width="200" />It occurs to me that I&#8217;ve never posted this, a wonderful Ned Collette cover of the very best Broadcast song. It was recorded for a <a href="http://cokemachineglow.com/">Cokemachineglow</a> podcast and possibly topped within the Ned catalog only by absolute heartbreaker &#8220;The Laughter Across the Street.&#8221;</p>
<p><strong>Ned Collette and Wirewalker &#8211; &#8220;Come On Let&#8217;s Go&#8221;: </strong><a href="http://www.rawkblog.net/wp-content/uploads/Ned-Collette-and-Wirewalker-Come-On-Lets-Go.mp3">mp3</a></p>
<p>(Buy Collette albums on <a href="http://nedcollette.bandcamp.com/">Bandcamp</a>)</p>
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		<title>Video: Chalk and Numbers &#8211; &#8216;Let&#8217;s Go Away&#8217;</title>
		<link>http://www.rawkblog.net/2011/06/video-chalk-and-numbers-lets-go-away/</link>
		<comments>http://www.rawkblog.net/2011/06/video-chalk-and-numbers-lets-go-away/#comments</comments>
		<pubDate>Mon, 06 Jun 2011 21:00:47 +0000</pubDate>
		<dc:creator>David Greenwald</dc:creator>
				<category><![CDATA[2010]]></category>
		<category><![CDATA[Videos]]></category>
		<category><![CDATA[Chalk and Numbers]]></category>

		<guid isPermaLink="false">http://www.rawkblog.net/?p=9197</guid>
		<description><![CDATA[Because what&#8217;s better than kicking out She &#038; Him-style jams in the woods? Please keep this band and their wonderful He Knew EP in mind before you buy the charisma-hating Cults record. Chalk and Numbers &#8211; &#8220;I Really Want To Work This Out&#8221;: mp3 Previously: Chalk and Numbers &#8211; He Knew EP]]></description>
			<content:encoded><![CDATA[<p><object width="587" height="334"><param name="movie" value="http://www.youtube.com/v/6QxQwWAYypM?fs=1&amp;hl=en_US"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/6QxQwWAYypM?fs=1&amp;hl=en_US" type="application/x-shockwave-flash" width="587" height="334" allowscriptaccess="always" allowfullscreen="true"></embed></object></p>
<p>Because what&#8217;s better than kicking out She &#038; Him-style jams in the woods? Please keep this band and their wonderful <em>He Knew</em> EP in mind before you buy the charisma-hating Cults record.</p>
<p><strong>Chalk and Numbers &#8211; &#8220;I Really Want To Work This Out&#8221;</strong>: <a href="http://www.rawkblog.net/wp-content/uploads/chalk-and-numbers-ireallywannaworkthisout.mp3">mp3</a></p>
<p>Previously: <a href="http://www.rawkblog.net/2011/01/chalk-and-numbers-he-knew-ep-2010/">Chalk and Numbers &#8211; <em>He Knew</em> EP</a></p>
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		<title>Elephant Parade &#8211; &#8216;Home&#8217; (2010)</title>
		<link>http://www.rawkblog.net/2011/05/elephant-parade-home-2010/</link>
		<comments>http://www.rawkblog.net/2011/05/elephant-parade-home-2010/#comments</comments>
		<pubDate>Wed, 04 May 2011 12:00:56 +0000</pubDate>
		<dc:creator>David Greenwald</dc:creator>
				<category><![CDATA[2010]]></category>
		<category><![CDATA[Elephant Parade]]></category>

		<guid isPermaLink="false">http://www.rawkblog.net/?p=8994</guid>
		<description><![CDATA[Most bands with guy-girl front-duos tend to improve when the guy stops singing: take Asobi Seksu or Camera Obscura. (The exceptions to the rule are generally Best Band Ever expectation-defiers like Yo La Tengo or, uh, the Velvet Underground.) On Elephant Parade&#8217;s Home, however, Estelle and Ido (who don&#8217;t list their surnames on FayBoo) share [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.rawkblog.net/wp-content/uploads/Elephant-Parade-Home.jpg"><img src="http://www.rawkblog.net/wp-content/uploads/Elephant-Parade-Home.jpg" alt="" title="Elephant Parade - Home" width="200" height="200" style="float:left; margin:0 10px 5px 0;" /></a>Most bands with guy-girl front-duos tend to improve when the guy stops singing: take Asobi Seksu or Camera Obscura. (The exceptions to the rule are generally Best Band Ever expectation-defiers like Yo La Tengo or, uh, the Velvet Underground.) On Elephant Parade&#8217;s Home, however, Estelle and Ido (who don&#8217;t list their surnames on <a href="http://www.facebook.com/elephantp?sk=info">FayBoo</a>) share their duties with equal aplomb.</p>
<p>We hear Estelle&#8217;s first, on the album&#8217;s title track, and it arrives with breathy, waifish charm &#8212; Tracyanne Campbell in an East Village apartment. Ido&#8217;s tone is less pretty but no less affecting, as gravelly and sad as a wet dog dragged through a quarry on the pointedly titled &#8220;Happy.&#8221; Estelle matches his suicide-hotline readiness on the picked guitar ballad &#8220;Haystacks,&#8221; but a number of upbeat moments balance out the early &#8217;00s Bright Eyes vibes: the title track bursts into a mini-Elephant 6 horn crescendo; &#8220;Crazy BF&#8221; borrows Postal Service synthesizers (and Ben Gibbard lyrical themes, though it&#8217;s a kinder, gentler heart possession); not to mention the ringing major chords and fine harmonies (!) of &#8220;Broken Fridge that Hums.&#8221;</p>
<p>You won&#8217;t make it through the record without a healthy tolerance for spare bedroom downers (two thumbs, this guy, etc.), but Elephant Parade offer a refreshingly capable spin on homemade sad-pop and sunnier efforts alike. Oh, and that battle of the sexes? Mission accomplished.</p>
<p><strong>Elephant Parade &#8211; &#8220;Crazy BF&#8221;</strong>: <a href="http://www.rawkblog.net/wp-content/uploads/elephantparade-crazybf.mp3">mp3</a></p>
<p>Stream and buy the album after the jump via Bandcamp. <span id="more-8994"></span></p>
<p><iframe style="position: relative; display: block; width: 300px; height: 410px" src="http://bandcamp.com/EmbeddedPlayer/v=2/album=3269920242/size=grande3/bgcol=FFFFFF/linkcol=4285BB/" allowtransparency="true" frameborder="0"><a href="http://elephantparade.bandcamp.com/album/home">Home by Elephant Parade</a></iframe></p>
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		<title>New Music: Micol Cazzell &#8211; &#8216;Burnside&#8217;</title>
		<link>http://www.rawkblog.net/2011/04/new-music-micol-cazzell-burnside/</link>
		<comments>http://www.rawkblog.net/2011/04/new-music-micol-cazzell-burnside/#comments</comments>
		<pubDate>Thu, 28 Apr 2011 12:00:28 +0000</pubDate>
		<dc:creator>David Greenwald</dc:creator>
				<category><![CDATA[2010]]></category>
		<category><![CDATA[Micol Cazzell]]></category>

		<guid isPermaLink="false">http://www.rawkblog.net/?p=7021</guid>
		<description><![CDATA[&#8220;My friend Scott Bartenhagen&#8230;&#8221; Micol Cazzell began in a recent e-mail, and, well, any friend of Scott&#8217;s is a friend of Rawkblog&#8217;s. Cazzell also makes delicate, tender folk, though his falls more in line with the airy, porcelain beauty of late-period Elliott Smith or Slowreader. On &#8220;Burnside,&#8221; his doubled vocals &#8212; just out of sync [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.rawkblog.net/wp-content/uploads/Micol-Cazzell.jpg" alt="Micol Cazzell" title="Micol Cazzell" width="588" height="327" class="alignleft size-full wp-image-8948" /></p>
<p>&#8220;My friend Scott Bartenhagen&#8230;&#8221; Micol Cazzell began in a recent e-mail, and, well, any friend of <a title="Live: Waynestock @ The Liberty, 3.17.11" href="http://www.rawkblog.net/2011/03/live-waynestock-the-liberty-3-17-11/">Scott&#8217;s</a> is a friend of Rawkblog&#8217;s. Cazzell also makes delicate, tender folk, though his falls more in line with the airy, porcelain beauty of late-period Elliott Smith or Slowreader. On &#8220;Burnside,&#8221; his doubled vocals &#8212; just out of sync enough to make your hair stand on end &#8212; rise around a single finger-picked acoustic guitar, a cowboy song sung by ghosts.</p>
<p><strong>Micol Cazzell &#8211; &#8220;Burnside&#8221;:</strong> <a href="http://www.rawkblog.net/wp-content/uploads/micolcazzell-burnside.mp3">mp3</a></p>
<p>(<em>Spinner&#8217;s Yarn</em> was released in 2010; stream it after the jump)</p>
<p><span id="more-7021"></span></p>
<p><iframe style="position: relative; display: block; width: 400px; height: 100px" src="http://bandcamp.com/EmbeddedPlayer/v=2/album=2389872740/size=venti/bgcol=FFFFFF/linkcol=4285BB/" allowtransparency="true" frameborder="0"><a href="http://music.micolcazzell.com/album/spinners-yarn">Spinner&#8217;s Yarn by Micol Cazzell</a></iframe></p>
<p>(<em>Photo via <a href="http://photos.micolcazzell.com/">Micol Cazzell</a></em>)</p>
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		<title>Standard Fare – ‘The Noyelle Beat’ (2010)</title>
		<link>http://www.rawkblog.net/2011/04/standard-fare-the-noyelle-beat-2010/</link>
		<comments>http://www.rawkblog.net/2011/04/standard-fare-the-noyelle-beat-2010/#comments</comments>
		<pubDate>Fri, 22 Apr 2011 12:00:20 +0000</pubDate>
		<dc:creator>David Greenwald</dc:creator>
				<category><![CDATA[2010]]></category>

		<guid isPermaLink="false">http://www.rawkblog.net/?p=8283</guid>
		<description><![CDATA[As proudly pop as it is fiercely raucous, Standard Fare&#8217;s The Noyelle Beat sounds like the Pretenders by way of the Promise Ring. The Sheffield act spends the album, its debut, successfully toeing the line between mathematical guitar aggression and twee softness, a marriage most prominent in sometimes-singer Emma Kupa&#8217;s unhinged but never unmelodic alto. [...]]]></description>
			<content:encoded><![CDATA[<p><img style="float: left; margin: 0 10px 5px 0;" src="http://www.rawkblog.net/wp-content/uploads/standard-fare-the-noyelle-beat.jpg" alt="" />As proudly pop as it is fiercely raucous, Standard Fare&#8217;s<em> The Noyelle Beat</em> sounds like the Pretenders by way of the Promise Ring. The Sheffield act spends the album, its debut, successfully toeing the line between mathematical guitar aggression and twee softness, a marriage most prominent in sometimes-singer Emma Kupa&#8217;s unhinged but never unmelodic alto. It&#8217;s lo-fi but in the genre&#8217;s classic sense: low-budget and simply arranged and performed rather than buried in a trendy reverb-fuzz coffin.</p>
<p>The poppier moments lend heart to the guitar crunch and crashing drums, but even at its lightest, the band never slips below <em>Speed Racer</em> BPMs. Lyrically, Standard Fare stick mostly with love stories: an underage infatuation, a lover&#8217;s hoped-for return, narratives told with naivete and sincerity. On <em>The Noyelle Beat</em>, there&#8217;s plenty to fall for.</p>
<p><strong>Standard Fare &#8211; &#8220;Dancing&#8221;</strong>: <a href="http://www.rawkblog.net/wp-content/uploads/stdrdfare-dancing.mp3">mp3</a></p>
<p><strong>Related</strong>: <a href="http://www.rawkblog.net/2010/12/best-of-2010-albums-of-the-year-2/">Best of 2010</a></p>
<p>Stream the album in full after the jump <span id="more-8283"></span></p>
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		<title>Premiere: Demerit, Samuel &#8211; &#8216;Organic Robots&#8217;</title>
		<link>http://www.rawkblog.net/2011/03/premiere-demerit-samuel-organic-robots/</link>
		<comments>http://www.rawkblog.net/2011/03/premiere-demerit-samuel-organic-robots/#comments</comments>
		<pubDate>Tue, 29 Mar 2011 12:00:48 +0000</pubDate>
		<dc:creator>David Greenwald</dc:creator>
				<category><![CDATA[2010]]></category>

		<guid isPermaLink="false">http://www.rawkblog.net/?p=8170</guid>
		<description><![CDATA[The music of Demerit, Samuel harkens back to two of the best albums of 2004: On the one hand, the medium-fi folk anthems of Rogue Wave&#8217;s Out of the Shadow; on the other, the electro-acoustic dystopias of Chad VanGaalen&#8217;s Infiniheart. On &#8220;Organic Robots&#8221; and the rest of 2010&#8242;s Halfhearted Demos mini-album, the musician offers acoustic [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.rawkblog.net/wp-content/uploads/Demerit-Samuel.jpg" alt="Demerit, Samuel" title="Demerit, Samuel" width="200" height="200" style="float:left; margin:0 10px 5px 0;" />The music of Demerit, Samuel harkens back to two of the best albums of 2004: On the one hand, the medium-fi folk anthems of Rogue Wave&#8217;s <em>Out of the Shadow</em>; on the other, the electro-acoustic dystopias of Chad VanGaalen&#8217;s <em>Infiniheart</em>. On &#8220;Organic Robots&#8221; and the rest of 2010&#8242;s <em>Halfhearted Demos</em> mini-album, the musician offers acoustic charm along with pre-chillwave bedroom beats &#8212; and despite the self-deprecating title, a collection of effort and craft in our age of nottryingveryhardcore.</p>
<p><strong>Demerit, Samuel &#8211; &#8220;Organic Robots&#8221;</strong>: <a href="http://www.rawkblog.net/wp-content/uploads/demeritsamuel-organicrobots.mp3">mp3</a></p>
<p>Hear the full set after the jump. (Photo via <a href="http://www.facebook.com/photo.php?fbid=131865390200459&#038;set=a.124828744237457.30744.124828444237487&#038;theater">Facebook</a>) <span id="more-8170"></span></p>
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		<slash:comments>10</slash:comments>
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		<title>New Music: The Wrens – ‘Crescent’ (Demo)</title>
		<link>http://www.rawkblog.net/2011/03/new-music-the-wrens-crescent-demo/</link>
		<comments>http://www.rawkblog.net/2011/03/new-music-the-wrens-crescent-demo/#comments</comments>
		<pubDate>Fri, 04 Mar 2011 13:00:02 +0000</pubDate>
		<dc:creator>David Greenwald</dc:creator>
				<category><![CDATA[2010]]></category>
		<category><![CDATA[The Wrens]]></category>

		<guid isPermaLink="false">http://www.rawkblog.net/?p=7938</guid>
		<description><![CDATA[The Wrens, 2004 / photo by David Greenwald In a better world, the Wrens would be co-headlining shows with Spoon and pumping out a new album a year. Instead, it&#8217;s been eight years since the band&#8217;s The Meadowlands, and we don&#8217;t have much to show for it. &#8220;Crescent,&#8221; a demo from the Dear New Orleans [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://static.flickr.com/101/292183411_a6e7804ee0_o.jpg" alt="" width="588" /><br />
<a href="http://www.rawkblog.net/2006/11/live-the-wrens-ucla-bruin-plaza-february-2004/">The Wrens, 2004</a> / <em>photo by David Greenwald</em></p>
<p>In a better world, the Wrens would be co-headlining shows with Spoon and pumping out a new album a year. Instead, it&#8217;s been eight years since the band&#8217;s <em>The Meadowlands</em>, and we don&#8217;t have much to show for it. &#8220;Crescent,&#8221; a demo from the <em>Dear New Orleans</em> <a href="http://www.dearno.la/">charity compilation</a>, is one bright spot &#8212; a song that makes the band sound like they could lay down another five-star classic tomorrow. Fingers crossed.</p>
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