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Can’t argue with that. Strong finish, dudes.
More P4k list commentary
Bummed that on a list of a lot of only semi-obvious picks from artists with bigger, even better songs, Elliott Smith got stuck with “Needle in the Hay,” the song that most plays into the Elliott Smith Was Sad And Took Drugs And Sang About Himself Narrative, when, like Joni Mitchell or Neil Young or his heroes in Big Star and the Beatles, his “confessionalism” was as much storytelling and character study as it ever was diary-page.
Despite “Miss Misery,” it is admittedly the song I think he’s best known for; it is a great and powerful song, but he was and remains so much more than that.
Also, this: “Posthumously parsing Elliott Smith songs— for foreshadowing, for anything— feels like something of a fool’s errand in 2010.”
I don’t know, Amanda, does that mean David Foster Wallace’s books have no meaning now? Or the poems of, like, Samuel Coleridge? What an awfully slippery slope to look for an angle on.
Also really glad “1979” charted so high, song rules, the Pumpkins rule(d), suck it, cred.
The guitars on the No Age album
They sound like volcanoes erupting or meteors killing dinosaurs
It’s amazing that there are songs here at all
8.27.2009

Wake up with Ted Leo at the Smell on Sunday for power-pop and vegan pancakes at the not-quite-bright-and-early hour of 11:30 a.m. Ted’s also playing on Friday at the Echo, of course. More LA dates on our 







